Paragraphs Essays Similar

Date published November 10, 2014 by Shane Bryson. Date updated: October 12, 2016

Paragraphs represent the basic building blocks of the arguments made in academic essays. This article looks at two essential elements of paragraphs, offers a general method for constructing paragraphs, drafts a general template for paragraph structure, and looks at some common paragraph pitfalls.

In an academic essay, the purpose of a paragraph is to support a single claim or idea that helps establish the overall argument or purpose of the paper. Paragraphs should be focused around this single idea or point, and they should be clearly related to what comes before them.

Two essentials: Topic sentences and transitions

One of the best ways to ensure that a paragraph is focused and clearly related to the thesis statement is to ensure that it has a good topic sentence. Each sentence in a paragraph should help support the topic sentence of that paragraph (in the same way that each paragraph should relate to the thesis statement), so each sentence should connect with the main point of the paragraph in some way. Sentences should also connect well with each other, and in forging sentence-to-sentence connections, good transitions are crucial.

Beyond of these two key features of good paragraphs (good topic sentences and transitions), there is a certain method of presenting information in a paragraph, and there are things to avoid in paragraphs.

Method: Introduce, provide, explain, (repeat), conclude

Following the topic sentence, a paragraph should introduce, provide, and explain its evidence. After this, it should either repeat, with new topic-sentence-related evidence, or take a sentence or two to close the paragraph.

While good topic sentences offer an idea of what the paragraph is going to be about and how that fits into the rest of the paper, at the heart of a paragraph are evidence and explanation that support the key claim of the paragraph. We can call these the heart of a paragraph both in the sense that they give purpose to the paragraph and in the sense that they appear (roughly) in the middle of the paragraph.

Diagram of paragraph structure


Introduce

It’s useful to think of a paragraph’s structure by comparison to the structure of an essay. As the body of an essay needs a good introduction, so do the evidence and explanation given in a paragraph. Usually, this evidence will need to be contextualized, prefaced, or otherwise introduced before it is provided.

Provide and explain

To provide evidence is usually to state a fact that supports your paragraph’s claim, given in the topic sentence. After providing any evidence, you will have to explain how that evidence supports the paragraph’s claim. Paragraphs on any subject require that the primary evidence for any claim be clearly explained to support that claim, so don’t assume that your facts speak for themselves.

In a sociology paper, this might mean explaining the significance of a statistic; in literary studies, the most interesting element of a quotation from a poem or story; in history of technology, what the technical explanation of a process means in simple terms; and in philosophy, the assumptions and logical connections at work in an argument. Different fields deal with such explanation in different ways, but they all require it.

Conclude

Finally, a paragraph requires a satisfying conclusion. To evaluate whether you’ve done a good job wrapping up your paragraph, ask yourself whether the final sentence or two sufficiently conveys the thrust of the paragraph. If not, consider adding a summary sentence.

General template

This template presents a very simple paragraph structure. It is highly adaptable and can be used throughout an essay, although there are certainly other ways of forming good paragraphs.

A good, simple paragraph might look something like this:

  1. Topic sentence.
  2. Sentence (or more) that introduces or contextualizes evidence.
  3. Sentence (or more) that provides evidence in support of the topic sentence.
  4. Sentence (or more) that explains how the evidence just given relates to the topic sentence.
  5. Sentence (or more) that eitherintroduces new topic sentence-related evidence (go back to step 2) or closes the paragraph.

Consider an example to illustrate:

(1) George Orwell’s 1946 essay “Politics and the English Language” has had an enduring impact on thought about the relationship between politics and language.(2) This impact is particularly obvious in light of the various critical review articles that have recently referenced the essay.(3) For example, consider Mark Falcoff’s 2009 article in The National Review Online, “The Perversion of Language; or, Orwell Revisited,” in which he analyzes several common words (“activist,” “civil-rights leader,” “diversity,” and more).(4) Falcoff’s close analysis of the ambiguity built into political language intentionally mirrors Orwell’s own point-by-point analysis of the political language of his day.(5) Even 63 years after its publication, Orwell’s essay is emulated by contemporary thinkers.

This paragraph could be altered or expanded (and improved) in several ways, but the course of the paragraph would always need to maintain the general form of (1) through (5). Even if we added or removed some of the particular sentences, these basic functions would need to be fulfilled.

Common pitfalls

Too short

  • Notice that on the above template the minimum length of a paragraph is five sentences. This can be slightly condensed, since we can, for example, introduce and provide evidence in the same sentence. We can only condense so much, though—normally you won’t be able to cover all of the basic functions of a paragraph in under three sentences.
  • Short paragraphs (three sentences or so) are rare, and should be used only when special emphasis is needed or the point of the paragraph is very simple. One- or two-sentence paragraphs are almost unheard of and should be generally avoided.

Too long

  • Size is a good indicator of whether a paragraph is too long. Generally speaking, with double-spaced, 12 point, standard font, and standard margins, a paragraph should not go much over 3/4s of a page. The reason a paragraph runs too long is only loosely related to size, though—rather, it’s a matter of how many topic or points are covered in a paragraph.
  • Remember, each paragraph should be about just one thing, and each paragraph should be just long enough to fully explain or prove its point.
  • Where there is a significant shift in topic matter, even while making one larger argument, a paragraph should often be split into two distinct paragraphs.
  • Where there is a significant shift in argument, even while the topic remains the same, a paragraph should often be split into two distinct paragraphs.

Unfocused or “too listy”

  • A paragraph is unfocused or “too listy” when it mentions many things but does not cover most (or, perhaps, any) of them in enough detail.
  • If you find a paragraph with this problem, you can (1) eliminate some points to focus on just a few, (2) break the paragraph into more robust sub-paragraphs by giving more attention to each point, or (3) work on tightening the connections between each of these points and their collective relation to the topic sentence or thesis.
  • Note that all of these strategies require additional information, either to explain connections or to deepen the discussion (or both).
  • Focus is a more common problem in long paragraphs, but can afflict short ones too.

SUMMARY:

  • The body paragraphs are where you present your paper’s main points.
  • Your body paragraphs should contain ample textual evidence, be correctly formatted, and have seamless transitions.

The body is the meat and potatoes of your essay. As such, it needs to contain lots of juicy textual evidence and meaty support, not fluff.

Each body paragraph contains one main idea, backed up by textual evidence and your own analysis. Your analysis should make up the majority of your paragraph.

Remember that (unless your teacher specifically says so), there’s nothing magic about having three body paragraphs. Have as many as you need to get your ideas across. The topic sentences of your body paragraphs should be determined by how you grouped your notes when you were outlining.

With your outline in hand, it’s time to draft your essay.

 

1) What makes a good quote

SUMMARY:

  • The best quotes contain in-depth analysis, opinion, or interpretation, not facts.

LINKS:

When choosing quotes to put in your final paper, keep in mind that some information works better in quote form and some is better as an indirect quote (paraphrased).

Take the following example: According to the CIA Factbook, “all of China falls within one time zone” (CIA Factbook).

How exciting of a quote is that? Not very.

The best quotes contain analysis, opinion, or interpretation. When quoting directly from a source, be sure that the quote is interesting. Take the following example:

According to Lina Song, a professor of economic sociology and social policy at the University of Nottingham, “Local government debt in China is a time bomb waiting to go off” (A Time Bomb, NY Times). In China, local government debt has swelled to 14 trillion yuan (People’s Bank of China).

The opinion part–that local debts in China are a time bomb–is a direct quotation from a credible source (a professor). This makes a good quote since her opinion paints an interesting picture of China’s current economic situation. The fact–that debt is now 14 trillion yuan–is not quoted, since it would be a boring quote. But it does provide substantial factual support to Song’s opinion.

When looking for quotes, look for the most concise parts of the text that explain the author’s points. You don’t want to devote too much of your paper’s length to quoting from your sources.

Try to embed quotes into your writing smoothly by placing them in a sentence of your own, rather than just plopping them in your paper. These ‘lead up’ sentences should contain transitions that give your reader the context behind the quote.

 

2) Making good points

SUMMARY:

  • Good points follow a formula: introduction of evidence + evidence + analysis.
  • The above structure can be modified based on the paper you are writing.

LINKS:

RESOURCES:

  • They Say/I Say: The Moves That Matter in Academic Writing – Gerald Graff and Cathy Birkenstein

Your paper should contain a number of points that make your argument. These points should be substantiated by data–either in the form of direct quotes or paraphrasing. Good points are usually written with the following framework: introduction of evidence + evidence + analysis.
Let’s break down each part:

  1. Introduction of evidence

    – The first part of your point should be a sentence or two that transitions into your quote and explains the topic your quote addresses. Why are you citing this particular evidence? What is the quote adding to your paper?

    For humanities papers, you’ll probably be introducing the work you’re analyzing at the beginning (introductory paragraph) of your essay. Therefore, when you bring up quotes, your ‘introduction of evidence’ will usually contain a transition saying how your quote relates to the rest of your paper.

    Examples:
    “Another example of Healthcliff’s indifference is seen in…”
    “Also, Rowling uses scenic detail to add drama to the book. For example…”
    “Finally, Venus’ frustration comes to a crescendo when the goddess…”
    Notice how each of these examples contains transition words that prepare the reader to hear the quote.

    For social science papers and research papers, you’ll probably be using a lot of sources for support, and as such, you’ll want to introduce each before you quote directly from it. When you bring up a source for the first time, you will want to state its credentials to demonstrate that you are citing an authoritative source (and not just a random person).

    Examples:
    “Further insight into income inequality is provided by Dr. Delaney, an economist at Stanford, who is of the opinion that…” “Malcolm Gladwell, author of Blink: The Power of Thinking Without Thinking, writes that our preconceived notions influence our perceptions…”

    Keep in mind that if you are paraphrasing from a source, it may not be necessary to introduce it. Use your own discretion.

    Example: It sounds funny to say, “The CIA World Factbook, an authority on world statistics, states that “Mali is a landlocked country highly dependent on gold mining and agricultural exports for revenue” (CIA World Factbook).

    Instead, you can just weave the facts about Mali into your essay and provide a parenthetical citation for the Factbook.

  2. Evidence

    – Here is where you substantiate your claim with a direct quote or text that is paraphrased. If you are quoting, be sure to transcribe from your source exactly, word-for-word. If you are paraphrasing, be sure you are doing the citations properly (See our guide to Parenthetical Citations).

  3. Analysis

    – It is important that your evidence isn’t just plopped in your paper. The quote’s relevance to the rest of your paper may seem obvious to you, but you cannot assume that your reader will make the connection. You need to make it explicit. Your analysis should explain why the stated quote helps further an idea promoted in your essay.

    “…This unique rhyming scheme, made famous by Shakespeare, makes the text lighthearted although the poem’s themes of love and timelessness are weighty.” “…The fearful closing lines juxtapose the cheery opening lines, heightening the reader’s sense of unease.”

    “…Abraham Lincoln’s gracious words in this passage indicate his gratitude toward Americans and thankfulness to God.”

    Keep in mind that the above formula can be modified to fit the flow of your paper. For example, if you are comparing two passages of text, you may want to quote them both first before analyzing them. Your analysis might be a discussion of the similarities/differences between the passages.

    Let’s take a look at how this point-making formula works within a paper, provided by George Mason University’s Department of English:

The opening lines of “The Cask of Amontillado” are cunningly crafted to both entice the reader and immediately situate the narrative: “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged…” (123). With incredible economy we are presented with a troubled relationship between the narrator and Fortunato, which has reached its breaking point. It is also made clear that we are not the intended audience of this narrative. The “you” addressed knows the narrator well; we do not. This and the epistolary tone would suggest that we are looking upon some long forgotten piece of correspondence, which only heightens the atmosphere of mystery and dread already created by this sparse introduction.Here the writer introduces the work, “The Case of Amontillado” and provides a topic sentence. We know what to expect: a discussion on how the opening lines of the text grab the reader and set up the rest of the work. 

The quote is presented. It is cited correctly.

 

 

 

Here, the writer analyzes the the quote. He discusses how the troubled relationship between two people helps frame the book. Notice how he’s building this using this textual evidence to support his topic sentence.

 

 

 

But the writer goes further. He analyzes how details in the text grab the reader through use of literary technique. We are told that this adds to the “atmosphere of mystery and dread” of the short story.

 

E. 3) Formatting quotes and parenthetical citations MLA/APA

SUMMARY:

  • Format your quotes properly, and cite them correctly.

LINKS:

You have done a lot of hard work gathering your sources and selecting quotes. You want to make sure that your quotes are beautifully integrated into your paper. You want the text of the quote to be formatted correctly, and you want your citations to be correct. For that, check out our site for Parenthetical Citations

 

4) Transitioning

SUMMARY:

  • Transitions provide links between ideas of your paper.

LINKS:

Transitions are key to a kick-butt paper. They provide the connections between the major ideas in your paper, and they give the reader cues to tell him where you are going. Remember (from when you researched and outlined) that your transitions should reflect how your notes are grouped. Now is the time to forge your transitions into words!

There should be a transition between each paragraph of the paper that introduces what the new paragraph is about and how it relates to the previous one. An effective way to transition is by using the following format: clause that references the claim in the previous paragraph (making a smooth transition between one claim and the next) + comma + topic sentence of next paragraph:

  • “In contrast to Marsha’s heartfelt feelings toward her sister in the first half of the book, in the second half they dissolve, only to be replaced by anger…”
    Here the words “in contrast” tell the reader that the text after the comma will be in juxtaposition to the text in front of the comma. Marsha’s relationship with her sister has changed, and this transition cues the reader that the next paragraph will be about anger in their relationship.
  • “Similar to how Tom dealt with the dragon the first time, he…”
    The words “similar to” indicate that Tom handled the dragon using the same technique twice Here, the reader is prepared to learn about how Tom dealt with the dragon the second time around, and how that was similar to the first time.
  • “Despite all that Tony did for Robin, she…”
    “Despite” indicates that there will be a shift in the second part of the sentence. The reader is prepared to hear about how Robin verbally abused Tom (or some other negative action) in the latter paragraph despite the fact that Tony did a lot for her.

Transitions should be used within paragraphs too. They help lead your reader down your intended path. Here’s a list of useful transitions (provided by UNC):

Here are a couple examples:

  • “Jay Gatsby spares no expense at his extravagant Saturday night parties, as seen when…”
    Here, the phrase “as seen when” transitions your reader from your statement at the beginning of the sentence to a quote that will fit nicely at the end.
  • Steven’s behavior towards his family members is generally affable, but he treats only his parents with utmost respect.
    Here, the use of the world “but” indicates that the second half of the sentence will modify the first half. In this example, “but” helps the author refine the argument. Steven doesn’t treat everyone in his as best as he can. He treats his parents with his best behavior.

Tip: The transitions can also be used to transition between paragraphs.

 

5) Avoiding plagiarism

SUMMARY:

  • Make sure that the sources you cite in your paper are quoted or paraphrased correctly.
  • Don’t have too much of your paper’s text be from a source other than yourself.

LINKS:

Your essay should be well supported with credible sources, but you don’t want too much of your paper to be written by another person. Your teacher wants to hear your own insight. The sources you reference in your paper should be cited correctly (paraphrased or directly quoted). If an idea is not your own, don’t take credit for it!

According to the Merriam-Webster Dictionary plagiarizing means to:

  • Steal and pass off the ideas or words of another as one’s own
  • Use another’s production without crediting the source
  • Commit literary theft
  • Present as new and original an idea or product derived from an existing source

All of the following are considered plagiarism:

  • Turning in someone else’s work as your own
  • Copying words or ideas from someone else without giving credit
  • Failing to put a quotation in quotation marks
  • Giving incorrect information about the source of a quotation
  • Changing words but copying the sentence structure of a source without giving credit
  • Copying so many ideas or words from a source that it makes up the majority of your work, whether you give credit or not

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