Greek Lyric Poetry Bibliography

Introduction

The word iambos (sometimes Latinized as iambus; the plural is iamboi or iambi) is a word of uncertain etymology. It seems originally to have been used of a type of poem that is first attested in Ionia in the 7th century BCE. Defining iambos has proved to be elusive, owing to the fragmentary state of the surviving evidence. Modern scholars have typically understood it as defined by content rather than form, with its most salient features being invective and the abuse of named individuals. Other characteristics are obscenity, narrative (often involving a first-person narrator), speeches embedded in narrative, moral exhortation, and the use of beast fables. Recent scholarship has emphasized the importance of occasion in determining genre in early Greek poetry, but for iambos there is no agreement on the occasion at which the poems were performed. Form, however, may not be irrelevant to understanding iambos. The iambic rhythm seems to have been characteristic of these poems, and the use of the term to describe the rhythm seems to have arisen from its association with early iambos. The problem here is that there was clearly early iambic poetry that does not reflect the characteristics associated with iambos. The most prominent association of iambos is with the poet Archilochus, and, to a slightly lesser extent, with Semonides of Amorgos and Hipponax. Although there were other composers of iambos, these three poets seem to have been considered the canonical early iambographers. In later Antiquity iambos was revived by both Hellenistic and Roman poets, but the resulting poetry seems to have been very different in character from the early form.

General Overviews

Discussion of early iambos has tended to be focused on the particular poets, but there are a number of overviews of the field as a whole. Carey 2009 is both succinct and insightful in setting the three central iambographers in the context of current scholarship. Brown 1997 prefaces a reading of the poets with a detailed discussion of the possible prehistory of the genre. Bartol 1993 is particularly useful on the question of performance and occasion. Rotstein 2010 is less interested in the iambographers than in iambos itself, and offers a detailed account of the development of the ancient understanding of the genre.

  • Bartol, Krystyna. 1993. Greek elegy and iambus: Studies in ancient literary sources. Poznań: Adam Mickiewicz Univ. Press.

    E-mail Citation »

    Discusses iambos with an emphasis on performance and occasion, seeing its social function in terms of paraenesis (“exhortation”) and entertainment.

  • Brown, Christopher G. 1997. Iambos. In A companion to the Greek lyric poets. Edited by Douglas E. Gerber, 13–88. Leiden, The Netherlands: E. J. Brill.

    E-mail Citation »

    An overview of iambos and a survey of the three major poets.

  • Carey, Chris. 2009. Iambos. In The Cambridge companion to Greek lyric. Edited by Felix Budelmann, 149–167. Cambridge, UK: Cambridge Univ. Press.

    DOI: 10.1017/CCOL9780521849449E-mail Citation »

    A concise and judicious survey of early iambos.

  • Rotstein, Andrea. 2010. The idea of iambos. Oxford, UK: Oxford Univ. Press.

    E-mail Citation »

    A comprehensive treatment of ancient understanding of iambos as a genre, employing a methodology derived from the cognitive sciences.

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The lists of publications on this page aim to complement Douglas E. Gerber extensive and annotated bibliographies of archaic and classical Greek lyric, and iambic and elegiac poetry for the years 1920-1989:

  • Gerber, Douglas E. (1989) 'Pindar and Bacchylides 1934-1987', Lustrum 31: 97-269.
  • Gerber, Douglas E. (1990) 'Pindar and Bacchylides 1934-1987 (Continuation)', Lustrum 32: 7-98.
  • Gerber, Douglas E. (1991) 'Early Greek elegy and iambus 1921-1989', Lustrum 33: 7-225 and 401-10.
  • Gerber, Douglas E. (1993) 'Greek lyric poetry since 1920. Part I: General, Lesbian poets', Lustrum 35: 7-179.
  • Gerber, Douglas E. (1994) 'Greek lyric poetry since 1920. Part II: From Alcman to fragmenta adespota', Lustrum 36: 7-188 and 285-97.

See, too, Arlette Neumann-Hartmann recently published bibliography for Pindar and Bacchylides covering the years 1988 - 2007:

  • Neumann-Hartmann, Arlette (2010) 'Pindar und Bakchylides (1988–2007)', Lustrum: Internationale Forschungsberichte aus dem Bereich des klassischen Altertums 52: 181–463.

Our aim is to provide a bibliography that contains relevant publications on archaic and classical Greek poetry (including the choruses of classical drama) especially after 1989. The bibliography follows Gerber's division into genres and ancient poets, but one can also use the 'search' function in the left sidebar in order to find publications. Another way to search through the documents is to use the CTRL-F search function of your browser. In this way, one can more conveniently search for specific words in publications. Unfortunately, it is still impossible to search for themes or keywords that are not mentioned in the title.

Greek Song General

General

  • Alexiou, M. (2002) The Ritual Lament in Greek Tradition. Second edition revised by D. Yatromanolakis and P. Roilos. Lanham/Oxford.
  • Bagordo, A. (2011) 'Lyrik', in: Handbuch der griechischen Literatur der Antike, Bd. I, Zimmermann, Bernhard (ed.) München.
  • Boedeker, D. (1984) 'Descent from Heaven: Images of Dew in Greek Poetry and Religion', American Classical Studies 13.
  • Bowie, E. (2010) 'The Trojan War's Reception in Early Greek Lyric, Iambic and Elegiac Poetry' in: Intentional History. Spinning Time in Ancient Greece eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 57-87.
  • Briand, M. (2011), « De la parure à l’harmonie du monde : esthétique et idéologie du kosmos dans la poésie mélique grecque archaïque », L. Bodiou, Fl. Gherchanoc, V. Huet, V. Mehl, Parures et artifices : le corps exposé dans l’Antiquité, L’Harmattan, p. 217-232.
  • Briand, M. (2012), « Pour un parallèle intempestif. Poètes norvégiennes contemporaines / grecques anciennes », in Le Pan poétique des muses | Revue internationale de poésie entre théories & pratiques : « Poésie, Danse & Genre » [En ligne], n°2|Automne 2012, http://0z.fr/wZC2S
  • Briand, M. (2013), "Un genre, des genres, pas de genre : sur les désignations et les pratiques grecques anciennes de la poésie d’éloge", in Alain Bègue (ed.), La poesía epidíctica del Siglo de Oro y sus antecedentes (I). Versos de elogío, Editorial Academía del Hispanismo, Vigo, p. 19-41
  • Budelmann, F. (ed.) (2009) The Cambridge Companion to Greek Lyric. Cambridge.
    • Contents: 1. Introducing Greek lyric Felix Budelmann; Part I. Contexts and Topics: 2. Genre, occasion and performance Chris Carey; 3. Greek lyric and the politics and sociologies of archaic and classical Greek communities Simon Hornblower; 4. Greek lyric and gender Eva Stehle; 5. Greek lyric and the place of humans in the world Mark Griffith; 6. Greek lyric and early Greek literary history Barbara Graziosi and Johannes Haubold; 7. Language and pragmatics Giovan Battista D'Alessio; 8. Metre and music Luigi Battezzato; Part II. Poets and Traditions: 9. Iambos Chris Carey; 10. Elegy Antonio Aloni; 11. Alcman, Stesichorus and Ibycus Eveline Krummen; 12. Alcaeus and Sappho Dimitrios Yatromanolakis; 13. Anacreon and the Anacreontea Felix Budelmann; 14. Simonides, Pindar and Bacchylides Hayden Pelliccia; 15. Ancient Greek popular song Dimitrios Yatromanolakis; 16. Timotheus the New Musician Eric Csapo and Peter Wilson; Part III. Reception: 17. Lyric in the Hellenistic period and beyond Silvia Barbantani; 18. Lyric in Rome Alessandro Barchiesi; 19. Greek lyric from the Renaissance to the eighteenth century Pantelis Michelakis; 20. Sappho and Pindar the nineteenth and twentieth centuries Margaret Williamson; 21. Lyric and lyrics: perspectives, ancient and modern Michael Silk.
  • Calame, C. (1998) 'La poésie lyrique grecque, un genre inexistant?'€™, Littérature 11: 87–110. (English translation in preparation for Readings in Greek Lyric, ed. I. Rutherford. Oxford.)
  • Cavarzere, A., Aloni, A. and Barchiesi, A. (eds.) (2001) Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire, Lanham, Md. and Oxford. Reviewed by C. Keane BMCR 2002.07.35
  • Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, JHS 114: 35–46.
  • Fowler, B.H. (1992) Archaic Greek Poetry: An Anthology. Madison, Wis.
  • Franklin, J.C. (2013) “‘Song-Benders of Circular Choruses’: Dithyramb and the ‘Demise of Music‘“, in Wilson, P./ Kowalzig, B. (eds.), Dithyramb in Context, Oxford: 213–36.
  • Franklin, J.C. (2016) Kinyras: The Divine Lyre. (Hellenic Studies 70), Washington D.C..
  • Franklin, J.C. (2007) “‘A Feast of Music’: The Greco-Lydian Musical Movement on the Assyrian Periphery“, in Collins, B. J./Bachvarova, M./ Rutherford, I. (eds.), Anatolian Interfaces: Hittites, Greeks and Their Neighbors, Oxford: 193–203.
  • Franklin, J.C. 2003) “The Language of Musical Technique in Greek Epic Diction“, Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307.
  • Gentili, B. (1990) Poetry and its Public in Ancient Greece. Baltimore. Reviewed by S.D. Olson BMCR 02.02.06
  • Gentili, B. and Catenacci, C. (2007) Polinnia. Poesia greca arcaica. Terza edizione. Firenze. Contains elegiac, iambic and lyric poetry with introduction and commentary. Reviewed by L. Athanassaki (2008) BMCR 2008.04.23.
  • Gentili, B. and Lomiento, L. (2008) Metrics and Rhythmics: History of Poetic Forms in Ancient Greece (English translation by E. Christian Kopff of 2003 edition: Metrica e ritmica: Storia delle forme poetiche nella Grecia antica. Milan. Review: BMCR 2004.09.09). Studi di metrica classica 12. Pisa/Roma: Fabrizio Serra Editore. Reviewed by A. Tessier BMCR 2009.11.31.
  • Gerber, D.E. (1997) (ed.) A Companion to the Greek Lyric Poets. Leiden.
    • Contents: Iambos (Archilochus, Semonides, Hipponax) - Christopher Brown. Elegy (Callinus, Tyrtaeus, Mimnermus, Solon, Theognis, Xenophanes) - Douglas Gerber. Personal poetry (Alcaeus, Sappho,Ibycus, Anacreon, Corrina) - Bonnie Maclachan. Public poetry (Alcman, Stesichorus, Simonides, Pindar, Bacchylides) - Emmet Robbins.
  • Gerber, D.E. (2003) 'Λοξός with reference to the Eyes and Neck in Greek Poetry' in: Studi di Filologia e Tradizione Greca in memoria di Aristide Colonna, eds. F. Benedetti and S. Grandolini. Napoli, vol. 1: 355-358.
  • Goldhill, S. (1991) The Poet’s Voice: Essays on Poetics and Greek Literature. Cambridge.
  • Graziosi, B. (2002) Inventing Homer. The Early Reception of Epic. Cambridge. About the reception of Homer in lyric, elegy and iambus.
  • Griffith, M. (1990) '€˜Contest and contradiction in early Greek poetry'€™, in Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer, ed. M. Griffith and D. Mastronarde. Atlanta: 185–207.
  • Griffiths, A. (1995) '€˜Non-aristocratic elements in archaic poetry'€™, in The Greek World, ed. A. Powell. London: 85–103.
  • Hunter, R.L. and Rutherford, I. (eds.) (2009) Wandering Poets in Ancient Greek Culture. Travel, locality and Pan-Hellenism. Cambridge. Table of contents Reviewed by R. Roosevelt BMCR 2010.01.55
  • Hutchinson, G.O. (ed.) (2001) Greek lyric poetry : a commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides Oxford.
  • Ieranò, G. (1997) Il Ditirambo di Dioniso. Pisa and Rome. [Testimonia on dithyramb, with commentary]
  • Jones, G.S. (2008) Singing the Skolion: a Study of Poetics and Politics in Ancient Greece. Ph.D. Diss. Johns Hopkins University.
    • My dissertation collects and examines for the first time all testimonia related to the skolion and all surviving songs identified as skolia. I offer a new definition of the term based on the three elements of melic genre: occasion, content, style. I also examine the Panhellenization and historical development of the genre with special attention paid to the political implications of the Attic skolia.
  • Klinck, Anne L. (2008) Woman's songs in Ancient Greece. Montreal. Reviewed by M.R. Lefkowitz BMCR 2009.06.56
  • Kurke, Leslie (2000) 'The Strangeness of 'Song Culture'€™: Archaic Greek Poetry', in Literature in the Greek & Roman Worlds: A New Perspective, ed. O. Taplin. Oxford University Press: 58-87.
  • Kurke, Leslie (2007) 'Archaic Greek Poetry', in The Cambridge Companion to Archaic Greece, ed. H. Alan Shapiro. Cambridge: 141-68. Reviewed by A. Kühr BMCR 2008.01.13.
  • Lardinois, A.P.M.H. (1995) Wisdom in Context: The Use of Gnomic Statements in Archaic Greek Poetry. Ph.D. Diss. Princeton University.
  • Lattmann, C. (2005) 'Die Dichtungsklassifikation des Aristoteles. Eine neue Interpretation von Aristot. poet. 1448a19–24', Philologus 149: 28-€“51. Abstract.
  • MacLachlan, B. (1993) The Age of Grace: Charis in Early Greek Poetry. Princeton. Reviewed by M.R. Halleran BMCR 94.02.17
  • Malhomme, Florence and Anne Gabrièle Wersinger (eds.) (2007) Mousike et Arete. La mousique et l'éthique de l'antiquité à l'âge moderne. Actes du colloque international tenu en Sorbonne les 15-17 décembre 2003. Paris: Librairie Philosophique J. Vrin. Reviewed by Raffa, Massimo (2008) BMCR 2008.03.20.
  • Martin, R. (2009) 'Gnomes in Poems: Wisdom Performance on the Athenian Stage', in Antiphílesis: Studies on Classical,Byzantine and Modern Greek Literature and Culture. In Honour of Professor John-Theophanes A. Papademetriou. eds. E. Karamalengou and E.D. Makrygianni. Stuttgart: 116-27.
  • Mojsik, T. (2011) Between Tradition and Innovation: Genealogy, Names and the Number of the Muses. Akme. Studia historica, 9. Warszawa. Reviewed by P. Murray BMCR 2012-09.56.
  • Nagy, G. (1997) The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Johns Hopkins University Press (revised edition; first published in 1979). Free-to-view online edition. More information is available at Intute, catalogued by Emma Bridges.
  • Nagy, G. (2009) 'Perfecting the Hymn in the Homeric Hymn to Apollo'€™ in Apolline Politics and Poetics, L. Athanassaki, R.P. Martin, and J.F. Miller (eds.), Athens: 17-44.
  • Nobili, C.(2006) 'Motivi della poesia nuziale in Odissea VI 149-185', Rendiconti dell'Istituto lombardo di scienze e lettere. Classe di lettere e scienze morali 140: 59-74. It investigates the precence of motifs typical of wedding song in Odyssey 6.
  • Nobili, C (2016) Corone di gloria. Epigrammi agonistici ed epinici dal VII al IV sec. a.C., Alessandria.
  • Riu, X., Pòrtulas, J (eds.) (2012) Approaches to Greek Poetry. Messina.
  • Swift, L. (2015) ‘Lyric Visions of Epic Combat: The Spectacle of War in Archaic Personal Song’, in War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Combat, eds A. Bakogianni and V. Hope. London: 93-109.
  • Thomas, R. (1995) '€˜The place of the poet in archaic society'€™, in The Greek World, ed. A. Powell. London: 104-29.
  • Vetta, M. (1999) Symposion: Antologia della lirica greca. Naples.
  • Wilson, P. (ed.) (2007) The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents. Oxford: Oxford University Press. Table of Contents. Reviewed by R. Mitchell-Boyask BMCR 2008.05.24.

Metre, music and musical instruments

  • Anderson, W. D. (1994) Music and Musicians in Ancient Greece. Ithaca, NY.
  • Barker, A. (1984) Greek Musical Writings. Vol. I: The Musician and His Art. Cambridge. Table of Contents.
  • Barker, A. (1989) Greek Musical Writings. Vol. II: Harmonic and Acoustic Theory. Cambridge. Table of Contents.
  • Barker, A. (1995) 'Heterophonia and poikilia: accompaniments to Greek melody'€™, in Mousike. Metrica, ritmica e musica greca in memoria di Giovanni Comotti, eds. B. Gentili and F. Perusino. Pisa: 41-60.
  • Barker, A. (2001) 'Armonica'€™ in Storia della Scienza, vol. 1, S. Petruccioli (ed.), Istituto della Enciclopedia Italiana. Rome: 909-926.
  • Barker, A. (2005) Psicomusicologia nella Grecia Antica. A cura di Angelo Meriani. Università degli Studi di Salerno. Quaderni del Dipartimento di Scienze dell'Antichità . Napoli. Reviewed by Raffa, Massimo BMCR 2006.06.08.
  • Bélis, A. (1999) Les musiciens dans l’antiquité. Paris.
  • Bundrick, S.D. (2005) Music and Image in Classical Athens. Cambridge. Reviewed by S. Gibson BMCR 2006.07.46
  • Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in Homer,Tragedy and Beyond: Essays in Honour of P. E. Easterling, ed. F. Budelmann and P. Michelakis. London: 209–40.
  • D'Angour, A. (2006) 'The New Music - so what'€™s new?' in Rethinking Revolutions through Ancient Greece, eds. Goldhill and Osborne. Cambridge: 264-283.
  • Ford, A. (1988) 'The Classical Definition of rhapsôdia', Classical Philology 83: 300-307.
  • Franklin, J.C. (2002) 'Musical Syncretism and the Greek Orientalizing Period' in Archäologie früher Klangerzeugung und Tonordnungen, eds. E. Hickmann and R. Eichmann. Serie Studien zur Musikarchäologie, Orient-Archäologie. Rahden: 441-51. PDF. Abstract.
  • Franklin, J.C. (2002) 'Diatonic Music in Greece: a Reassessment of its Antiquity', Mnemosyne 56.1: 669-702. PDF. Abstract.
  • Franklin, J.C. (2003) 'The Language of Musical Technique in Greek Epic Diction', Gaia. Revue interdisciplinaire sur la Grèce archaïque 7: 295-307. PDF. Abstract.
  • Franklin, J.C. (2004) 'Structural Sympathies in Ancient Greek and South Slavic Heroic Singing' in Hickmann, E. & Eichmann, R. (eds.), Musikarchäologische Quellengruppen: Bodenurkunden, mündliche Überlieferung, Aufzeichnung.PDF
  • Franklin, J.C. (2005) 'Hearing Greek Microtones', with audio CD in Ancient Greek Music in Performance, eds. Hagel, S. and Harrauer, Ch. Wiener Studien Beiheft 29 Vienna. From a paper and audio-demonstration (with Virtual Lyre), delivered at Performing Ancient Greek Music Today, Österreichische Akademie der Wissenschaften, Vienna, September 29-October 1, 2003. PDF. Abstract.
  • Franklin, J.C. (2006) '€˜The Wisdom of the Lyre: Soundings in Ancient Greece, Cyprus and the Near East', Musikarchäologie im Kontext: Archäologische Befunde, historische Zusammenhänge, soziokulturelle Beziehungen. eds. E. Hickmann & R. Eichmann: 379-98. PDF
  • Franklin, J.C. (2006) 'Lyre Gods of the Bronze Age Musical Koine' in The Journal of Ancient Near Eastern Religions 6.2: 39–70. PDF
  • Franklin, J.C. (2010) 'Remembering Music in Early Greece', in The Historiography of Music in Global Perspective. ed. S. Mirelman. Piscataway. 9–50. PDF
  • Franklin, J. C. (2012) 'The Lesbian Singers: Towards a Reconstruction of Hellanicus'€™ Karneian Victors.'€ In Poesia, musica e agoni nella Grecia antica eds. D. Castaldo, F. Giannachi & A. Manieri. Galatina: 720-764 PDF
  • Franklin, J. C. (2014) “Ethnicity and Musical Identity in the Lyric Landscape of Early Cyprus”, Greek and Roman Musical Studies 2: 146–76.
  • Franklin, J. C. (2011) “Music”, “Aulos” and “Phorminx” in Finkelberg, M. (ed.), The Homer Encyclopedia (Oxford), s.vv.
  • Franklin, J. C. (2008) “Realizations in Ancient Greek Music: Beyond the Fragments“ (with CD selections), in Hickmann, E./Eichmann, R./Both, A. A. (eds.), Challenges and Objectives in Music Archaeology. Papers from the 5th Symposium of the International Study Group on Music Archaeology at the Ethnological Museum, State Museums Berlin, 19-23 September, 2006. Studien zur Musikarchäologie 6/Orient-Archäologie 22 (Rahden,): 323–6
  • Franklin, J. C. (in press) “Epicentric Tonality and the Greek Lyric Tradition”, in A. D’Angour/T. Phillips (ed.), Music and Text in Ancient Greece (Cambridge, in press).
  • Franklin, J. C. (in press) “A Musical Maze for Asklepios? An Archaeoacoustic Assessment of the Thymele at Epidauros”, in Schultz, P., et al., The Thymele at Epidauros: Healing, Space, and Musical Performance in Late Classical Greece (in press).
  • Franklin, J. C. (in press) “THEIOS AOIDOS: A New Reading of the Lyre-Player Group of Seals”, Gaia. Revue interdisciplinaire sur la Grèce archaïque 18.
  • Gentili, B. and Perusino, F. (eds.) (1999) La colometria antica dei testi poetici greci. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou BMCR 2000.07.12
  • Levin, F.R. (2009) Greek reflections on the nature of music. Cambridge; New York: Cambridge University Press. Reviewed by C. Marchetti BMCR 2009.12.34.
  • Martinelli, M.C. (1995) Gli strumenti del poeta: elementi di metrica greca. Bologna.
  • Mathiesen, T.J. (1999) Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln, Nebr. and London.
  • Nagy, G. (1996) 'Metrical convergences and divergences in early Greek poetry and song'€™, in Struttura e storia dell’esametro omerico, ed. M. Fantuzzi and R. Pretagostini, vol. II. Rome: 63â€-110. (Revised version of Nagy 1990: 439–64.)
  • Nicolai, R.(ed.)(2003) Rysmos: Studi di poesia, metrica e musica greca, Rome.
  • Pöhlmann, E. and West, M.L. (eds.) (2001) Documents of Ancient Greek Music. Oxford. Reviewed by. W.A. Johnson BMCR 2003.04.08
  • Psaroudaki“s, S. (1995) 'Acoustic study of the aulos by the method of physical modeling. Report' in International conference “Physical modeling in music (ancient instruments, singing/speech, psychoacoustics)”, Aristotle University of Thessalonikē – Program of Psychoacoustics, Thessalonikē, 10-12 July. Proceedings.
  • Psaroudaki“s, S. (2000) 'The arm-crossbar junction of the Classical Hellenic kithara', in Studien zur Musikarchäologie II. Music Archaeology of early Metal Ages. Papers from the 1st Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 18-24 May, 1998, eds. E. Hickmann, I. Laufs, R. Eichmann. Orient-Archäologie 7. Rahden: 263-78.
  • Psaroudaki“s, S. (2002) 'The aulos of Argithea', in Studien zur Musikarchäologie III. The archaeology of sound: origin and organisation. Papers from the 2nd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 17-23 September, 2000 & Music Archaeology in the Aegean and Anatolia. Papers from the Colloquium on Music Archaeology organised by the Deutsches Archäologisches Institut (Istanbul) in cooperation with the ICTM-Study Group on Music Archaeology and the Institut Français d’Archéologie (Istanbul), Minar Sinan University, Istanbul, 12-16 April, 1993. (Orient-Archäologie, 10), eds. E. Hickmann, A. Kilmer, R. Eichmann. Rahden: 335-66.
  • Psaroudakis, S. (2004) 'The Orestes Papyrus: some thoughts on the dubious musical signs', in Studien zur Musikarchäologie IV. Musical archaeological sources: finds, oral transmission, written evidence. Papers from the 3rd Symposium of the International Study Group on Music Archaeology at Monastery Michaelstein, 9-16 June, 2002, and other contributions. (Orient-Archäologie, 15), eds. E. Hickmann, I. Laufs, R. Eichmann. Rahden, Westf: Marie Leidorf GmbH: 471-92.
  • Psaroudaki“s, S. (2004) 'Archaeomusicology and ethnomusicology in dialogue', Ευλιμένη 4: 189-200. This paper addresses a variety of issues in archaeomusicology, including song and its interpretation, mainly in the domain on "performance style", as opposed to that of "composition style".
  • Ψαρουδάκης, Στέλιος (1998) «Τα μουσικά όργανα των αρχαίων Ελλήνων», Καθημερινή – Επτά Ημέρες, Κυριακή 18 Ιανουαρίου: 2-6.
  • Ψαρουδάκης, Στέλιος (2001) «Η αρχαία ελληνική μουσική σημειογραφία. Οι πρόσφατες απόψεις του Egert Pöhlmann», Μούσα 8-9: 78-93. (in modern Greek)
  • * Ψαρουδάκης, Στέλιος (2003) «Πρωτογενή αερόφωνα και η αβέβαιη μαρτυρία του Δισπηλιού», Πολυφωνία 2: 7-20. (in modern Greek) This article compares the neolithic dispelio "aulos" (lake kastoria, makedonia) with other neolithic musical pipes from this country and the rest of the world (pure organological study). The find does not exhibit the characteristics of the other musical pipes, and as a result, we cannot hold with certainty that is was used as an aulos.
  • Ψαρουδάκης, Στέλιος & Χρήστος Τερζής (2007) «Ανθολόγιον – Μέτρα και μέλη από την ελληνική αρχαιότητα», in DVD Εν Χορδαίς και Οργάνοις – Ένα πανόραμα της ελληνικής μουσικής. Συναυλία του Τμήματος Μουσικών Σπουδών του Πανεπιστημίου Αθηνών, Παρασκευή 4 Μαΐου 2007. Μέρος πρώτο. Αθήνα: Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών.
  • Ψαρουδάκης, Στέλιος (2007) «Αρχαία ελληνική μουσική», in Μουσική, Απόστολος Κώστιος (ed.). Αθήνα: Εκδοτική Αθηνών: 201-15. Originally published in (1999) in Ελληνική Εκπαιδευτική Εγκυκλοπαίδεια. Vol. 28. Θέατρο, Κινηματογράφος, Μουσική, Χορός. Αθήνα: 28-33. (in modern Greek)
  • Ψαρουδάκης, Στέλιος & Σωτηρία Αδάμ (2004) «Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα». CD containing ancient Hellenic song and modern musical compositions inspired by it. Part of the volume: Μαρία Καΐλα & Georges Thill & Έλενα Θεοδωροπούλου & Γιώτα Ξανθάκου (edd.), Ύε Κύε. Οι Ολυμπιακοί αγώνες στην αρχαιότητα. Αθήνα: Ατραπός. Contribution to the CD (recittion, song, lyre) with the songs: Εις Μούσαν, «Εις Καλλιόπην και Απόλλωνα», «Εις Φοίβον», Εις Ήλιον. Accompanying notes on pp. 220-23 of the book.
    • The disc, apart from two modern compositions, contains performances of three ancient hellenic hymns by mesomedes of crete (2nd century AD), accompanied by a reconstructed chelys-lyre.
  • Restani, D. (ed.) (1995) Musica e mito nella Grecia antica. Bologna.
  • Rocconi, E. (1998) '€˜Harmoniai e teoria dei gene musicali nella Grecia antica'€™, SemRom 1.2: 345-64.
  • Sicking, C.M.J. (1993) Griechische Verslehre. (Handbuch der Altertumswissenschaft 2.4). Munich.
  • Steinrück, M. (2007) A quoi sert la métrique? Interprétation littéraire et analyse des formes métriques grecques: Une introduction. Avec la collaboration d'Alessandra Lukinovich. Grenoble.
  • Taplin, O. & Wyles, R. ed. (2010) The Pronomos Vase and its Context. Oxford/New York. Reviewed by K. Seaman BMCR 2012.03.17
  • Tsachalinas, K. & Katerina, T. & Cook, P. & Psaroudakēs, S. & Kamarotos, D. & Rikakis, T. (1997) 'Physical modeling simulation of the ancient Greek Elgin auloi' in International computer music conference, Aristotle University of Thessaloniki“:€“ Program of Psychoacoustics & The International Computer Music Association, Thessalonikē, Hellas, 25-30 September. Proceedings. San Francisco: 454-57.
  • Wallace, R.W (2003) 'An early fifth-century Athenian revolution in aulos music'€™, HSCPh 101: 73–92.
  • West, M. L. (1992) Ancient Greek Music. Oxford. Reviewed by W.A. Johnston BMCR 2003.04.08
  • Wilson, P. (2004) 'Athenian strings'€™, in Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City, ed. P. Murray and P. Wilson. Oxford: 269–306.
  • Yatromanolakis, D. (2011) Music and cultural politics in Greek and Chinese societies. Vol. 1.: Greek antiquity. Harvard.

Performance

  • Aloni, A. (1998) Cantare glorie di eroi: Comunicazione e performance poetica nella Grecia arcaica. Turin.
  • Athanassaki, L. & Bowie, E. (2011) (ed.), Archaic and Classical Choral Song. Performance, Politics and Dissemination. Berlin & Boston. Table of Contents
  • Bierl, A. (2009) Ritual and Performativity. The Chorus of Old Comedy (transl. by Alex Hollmann), Center for Hellenic Studies. Washington, DC: Harvard Press. (Hellenic Studies 20). New and revised edition.
  • Boegehold, A.L. 2000. 'Acting out some songs'€™, Syllecta Classica 11: 1-15.
  • Bowman, L. (2004) '€˜The 'women'€™s tradition'€ in Greek poetry', Phoenix 58: 1–27.
  • Briand, M. (2000) 'Inspiration, enthousiasme et polyphonies: ἔνθεος et la performance poétique', Noésis (L'antique notion d'inspiration, dir. J. Assaël): 97-154.
  • Calame, C. (2004) '€˜Deictic ambiguity and auto-referentiality: some examples from Greek poetics'€™, Arethusa 37: 427-31.
  • Calame, C. (2005) Masques d’autorité. Fiction et pragmatique dans la poétique grecque. Paris. English translation (2005) Masks of Authority. Fiction and Pragmatics in Ancient Greek Poetics. Ithaca NY and London. Reviewed by H. van Noorden BMCR 2005.09.36
  • Calame, C. (2006) Pratiques poétiques de la mémoire. Représentations de l’espace-temps en Grèce ancienne. Paris. English translation: 2009 Harvard. Reviewed by E.M. Griffiths BMCR 2007.04.05
  • Calame, C. (2007) 'Gardens of Love and Meadows of the Beyond: Ritual Encounters with the Gods and Poetical Perfomances in Ancient Greece' in Sacred Gardens and Landscapes: Ritual and Agency, ed. M. Conan. Washington: 43-54.
  • Carey, C. (2010) '€˜The victory ode in the theatre'€™, BICS supplements. electronic version
  • Collins, D. (2004) Master of the Game: Competition and Performance in Greek Poetry. Cambridge, MA. Reviewed by C. Werner BMCR 2005.05.18
  • D'Alessio, G. B. (2004) '€˜Past future and present past: temporal deixis in Greek archaic lyric'€™, Arethusa 37: 267–94.
  • David, A.P. (2006) The Dance of the Muses: Choral Theory and Ancient Greek Poetics. New York. Review by Ronald J.J. Blankenborg BMCR 2007.04.46.
  • Dougherty, C. (1994) '€˜Archaic Greek foundation poetry: questions of genre and occasion'€™, JHS 114: 35–46.
  • Ford, A. (1988) 'The Classical Definition of rhapsôdia', Classical Philology 83: 300-307.
  • Gentili, B. (1990) Poetry and its Public in Ancient Greece. Baltimore. Reviewed by S.D. Olson BMCR 02.02.06
  • Goldhill, S. and Osborne, R. (eds.) (1999) Performance Culture and Athenian Democracy. Cambridge.
  • Grandolini, S. (1991) '€˜Canto processionale e culto nell’antica Grecia'€™, in L'€™inno tra rituale e letteratura nel mondo antico: Atti di un colloquio Napoli 21–24 ottobre 1991, AION 13: 125–40.
  • Griffith, M. (1990) ‘Contest and contradiction in early Greek poetry’, in Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer, ed. M. Griffith and D. Mastronarde. Atlanta: 185-€“207.
  • Hagel, S. and Harrauer, C. (2005) (eds.) Ancient Greek Music in Performance (Book and Audio CD). Vienna.
  • Lech, M.L. (2009) 'Marching choruses?: Choral performance in Athens' GRBS 49, 3.
  • Mojsik, T. (2006) 'Vates socialis - metapoetyka antyczna a ryty przejścia (Vates socialis - ancient metapoetic and rites of passage)', in Inicjacje: społeczne znaczenie sytuacji liminalnych w rytach przejścia, red. J. Sieradzan. Białystok: 53-66.
  • Mojsik, T. (2008) 'Muses and gender of inspiration', "Sakarya University: The Journal of Art and Science 10.1: 67-78. electronic version
  • Nagy, G. (2000) '€˜Reading Greek poetry aloud: evidence from the Bacchylides papyri'€™, QUCC 93 (= n.s. 64.1): 7-28.
  • Nobili, C. (2014) 'Performances of Girls at the Spartan Festival of the Hyakinthia', in A. Kieburg – S. Moraw (eds.), Mädchen im Altertum/ Girls in Antiquity, Frauen – Forschung – Archäologie 11, Münster: 135-148.
  • Peponi, A.-E. (2009) ' Choreia and Aesthetics in the Homeric Hymn to Apollo: The Performance of the Delian Maidens (Lines 156–64)', Classical Antiquity 28.1: 39–70.
  • Quattrocelli, L. (2002) 'Poesia e convivialità a Sparta arcaica. Nuove prospettive di studio', Cahiers Glotz 13: 7-32.
  • Quattrocelli, L. (2008) 'Poetry and Pottery related to the Symposium in Archaic Sparta', in Proceedings of the IX Symposium on Mediterranean Archeology 2005, eds. O. Menozzi, M. L. Di Marzio, and D. Fossataro. Oxford: 63-67.
  • Rotstein, A. (2012) 'Mousikoi Agones and the Conceptualization of Genre in Ancient Greece' in: CA 31.1: 92-127.
  • Scully, S. (2009) '€˜Apollo and the Dance of the Olympians'€™ in Apolline Politics and Poetics , eds. L. Athanassaki, R.P. Martin, and J.F. Miller. Athens: 91-108.
  • Silk, M.S. (1995) 'Language, poetry and enactment'€™, Dialogos 2: 109-€“32.
  • Vetta, M. (1996) '€˜Convivialità  pubblica e poesia per simposio in Greciâ'€™, QUCC 83 (= n.s. 54.3): 197-€“209.
  • Wecowski, M. (2002) 'Homer and the origins of the symposion' in Omero tremila anni dopo. Atti del congresso di Genova 6-8 luglio 2000, ed. F. Montanari. Roma: 625-637.
  • Wecowski, M. (2002) 'Towards a definition of the symposion' in Euergesias charin. Studies Presented to Benedetto Bravo and Ewa Wipszycka by Their Disciples, eds. T. Derda, J. Urbanik, M. Wecowski. Warszawa: 337-361.
  • Wecowski, M. (2011) Sympozjon, czyli wspólne picie : początki greckiej biesiady arystokratycznej (IX-VII wiek p.n.e.). Warszawa : Wydawnictwo Naukowe Sub Lupa.
  • Wecowski, M. (2012) 'When did the Symposion Rise? Some archaeological considerations regarding the emergence of the Greek aristocratic banquet', Archaiognosia 16: 25-54.
  • Wilson, P. (ed.) (2007) The Greek Theatre and Festivals. Documentary Studies. Oxford Studies in Ancient Documents. Oxford: Oxford University Press. Table of Contents. Reviewed by R. Mitchell-Boyask BMCR 2008.05.24.
  • Yatromanolakis, D. (2009) 'Symposia, Noses, Πρόσωπα: A Kylix in the Company of Banqueters on the Ground', in An Archaeology of Representations: Ancient Greek Vase-Painting and Contemporary Methodologies, ed. D. Yatromanolakis. Athens: 414-465.

Transmission and Reception

  • Budelmann, F. (2001) '€˜Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship'€™, in Homer, Tragedy and Beyond: Essays in Honour of P. E. Easterling, ed. F. Budelmann and P. Michelakis. London: 209–40.
  • Calame, C. (2010) 'The Authority of Orpheus, Poet and Bard : Between Oral Tradition and Written Practice', in: Allusion, Authority, and Truth. Critical Perspectives on Greek Poetic and Rhetorical Praxis, Ph. Mitsis & Ch. Tsagalis eds., Berlin: 13-35.
  • Dougherty, C. (1993) The Poetics of Colonization: From City to Text in Archaic Greece. New York and Oxford. Reviewed by M.W. Edwards BMCR 1994.05.04
  • Ford, A. (2002) The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton, N.J. and Oxford. Reviewed by E. Papaioannou BMCR 2003.06.07
  • Ford, A. (2003) '€˜From letters to literature: reading the 'song culture'€ of classical Greece'€™, in Written Texts and the Rise of Literate Culture in Ancient Greece, ed. H. Yunis. Cambridge: 15–37.
  • Gentili, B. and Perusino, F. (eds.) (1999) La colometria antica dei testi poetici greci. Pisa and Rome. Reviewed by H. Perdicoyianni-Paléologou BMCR 2000.07.12
  • Hummel, P. (1997) Philogica Lyrica: La poésie lyrique grecque au miroir de l'érudition philologique de l'€™antiquité à  la Renaissance. Louvain.
  • Petropoulos, J.C.B. (2003) Eroticism in Ancient and Medieval Greek Poetry. London. Review by Vayos J. Liapis BMCR 2004.10.01.

Greek Elegy and Iambus

Elegy and Iambus General

  • Carey, C. and L. Swift eds (2016) Iambus and Elegy: New Approaches. Oxford.
  • Bartol, K. (1993) Greek Elegy and Iambus. Studies in Ancient Literary Sources. Poznań.
  • Bowie, E.L. (2001) ‘Ancestors of historiography in early Greek elegiac and iambic poetry?’, in The Historian’s Craft in the Age of Herodotus, ed. N. Luraghi. Oxford: 45-66.
  • Gentili, B. & Prato, C. ed. (1988-2002) Poetarum elegiacorum testimonia et fragmenta. Second revised edition. Leipzig.
  • Vetta, M. (1992) ‘Il simposio: la monodia e il giambo’, in Lo spazio letterario della Grecia antica, ed. G. Cambiano et al., vol. I.1 La produzione e la circolazione del testo: La polis. Rome: 177–218.
  • West, M.L. ed. (1989–92) Iambi et elegi ante Alexandrum cantati, 2nd edn. (2 vols.). Oxford.
  • Wilson, P. (1999) ‘The aulos in Athens’, in Performance Culture and Athenian Democracy, ed. S. Goldhill and R. Osborne. Cambridge: 58–85.

Iambus General

  • Acosta-Hughes, B. (2002) Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. Berkeley and London. Reviewed by P. Ojennus BMCR 2003.02.04
  • Bowie, E. L. (2002) ‘Early Greek iambic poetry: the importance of narrative’, in Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire, eds. A. Cavarzere et al. Lanham, Md./Oxford: 1-27.
  • Bowie, E. L. (2002) ‘Ionic iambos and Attic komoidia: father and daughter, or just cousins’, in The Language of Greek Comedy ed. A. Willi, Oxford: 33-50.
  • Brown, C. G. (1997) ‘Iambos’ in A Companion to the Greek Lyric Poets, ed. D.E. Gerber, Leiden: 11-88.
  • Carey, C. (2009) ‘Iambus’ in Cambridge Companion to Greek Lyric, ed. F. Budelmann. Cambridge: 149-167.
  • Kantzios, I. (2005) The Trajectory of Archaic Greek Trimeters. Leiden and Boston. Reviewed by L. Lomiento BMCR 2006.03.34
  • Lennartz, K. (2000) ‘Zum “erweiterten” Jambusbegriff’, RhM 143: 225–50.
  • Lennartz, K. (2010) Iambos. Philologische Untersuchungen zur Geschichte einer Gattung in der Antike. Wiesbaden.
  • Mayer, Peter. (2008) Aristoteles über das Wort 'iambeion' und über die Anfänge des Iambos (Poet. 1448b,30-32 - eine Pseudo-Etymologie?).Wiener Humanistische Blätter (Wien) 49: 19–27.
  • Nobili, C. (2016) 'Iambi in Sparta', Greek and Roman Musical Studies 4: 38-50.
  • Riu, X. (2008) ‘On the difference between praise and invective’ in: Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades. Paroikia, Paros, 7-9 October 2005, eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 73-82.
  • Rotstein, A. (2010) The Idea of Iambos. Oxford. Reviewed by C. Eckermann BMCR 2010.06.21
  • Steinrück, M. (2000) Iambos. Studien zum Publikum einer Gattung in der frühgriechischen Literatur. Hildesheim.
  • Suárez de la Torre, E. (2002) Yambógrafos griegos. Madrid.

Archilochus

  • Aloni, A. (1981) Le Muse di Archiloco: Ricerche sullo stile archilocheo. Copenhagen. Review by Slings, S.R. (1984) Mnemosyne 37: 169-171.
  • Aloni, A. and Iannucci, A. (2007) L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco. Firenze: Le Monnier Università.
  • Barker, E.T.E. and Christensen, J.P (2006) ‘Fight club: the new Archilochus fragment and its resonance with Homeric epic’, MD 57: 9-41.
  • Bettarini, L. (2010) 'Archiloco fr. 201 W.2: meglio volpe o riccio?' in ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.), ed. E. Lelli. Pisa/Roma: 45-51.
  • Bremer, J.M. (1978) Het gemaskerde Ik. De poëtische persoonlijkheid in enige Griekse gedichten. Amsterdam. (in Dutch) Inaugural lecture, mainly concerned with Archilochus' Cologne Epode.
  • Bremer, J.M.; van Erp Taalman Kip, A.M. and Slings, S.R. (eds.) (1987) Some recently found Greek poems: Text and Commentary. Leiden. Mnemosyne Supplement 99. Contains a text, app. crit. and commentary on some papyri of Archilochus (by Slings), a commentary on a poem by Alcaeus (by Van Erp) and a text, app. crit. and commentary on the 'Lille Stesichorus' (by Bremer, 128-174).
  • Brown, C.G. (1995) 'The Parched Furrow and the Loss of Youth: Archilochus fr. 188 West', Quaderni Urbinati di Cultura Classica 50: 29–35.
  • Brown, C.G. and Gerber, D.E. (1993) ‘The parched furrow: Archilochus fr.188, 1–2 W’, in: Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. I., ed. R. Pretagostini. Rome: 195–7.
  • Clay, D. (2004) Archilochos Heros: The Cult of the Poets in the Greek Polis. Hellenic Studies 6. Washington, D.C.: Harvard University Press. Reviewed by J. MacPhail BMCR 2005.09.32
  • Corrêa, P.C. (1998) Armas e Varões: A Guerra na Lírica de Arquíloco. São Paulo.
  • Corrêa, P.C. (2001) 'The Fox and the Hedgehog', Revista Phaos 1: 80 - 92. On Archilochus 201 IEG.
  • Corrêa, P.C. (2002) 'Muddy Eels', Rivista Synthesis (La Plata) 9: 81 -90. On Archilochus 189 IEG.
  • Corrêa, P.C. (2007) 'A Human Fable and the Justice of Beasts in Archilochus' in Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 101-117. Reviewed by J. Gibert BMCR 2008.06.23.
  • Ford, A.L. (1993) 'L'inventeur de la poésie lyrique: Archiloque le colon', Métis. Revue de l'anthropologie grecque 8.1-2: 59-73.
  • Gagné, R. (2009) 'A Wolf at the Table: Sympotic Perjury in Archilochus', TAPA 139.2: 251-275.
  • Gerber, D.E. (2000) 'Archilochus fr. 44 West' in: Poesia e religione in Grecia. Studi in onore di G. Aurelio Privitera, eds. M.C. Fera and S. Grandolini. Napoli, vol. 1: 331-333.
  • Gerber, D.E. (2004) 'Archilochus fr. 218 W.' in: Dais Philesistephanos. Studies in Honour of Professor Staffan Fogelmark. Presented on the Occasion of his 65th Birthday 12 April 2004, eds. P. Sandin and M.W. Schiebe. Uppsala: 19-20.
  • Gerber, D.E. (2008) 'Archilochos and Tradition' in: Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades Paroikia, Paros, 7-9 October 2005, eds. D. Katsonopoulou, I. Petropoulos, and S. Katsarou. Athens: 17-22.
  • Handley, E. (2007) 'Night Thoughts (Archilochus 23 and 196a West)' in Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 95-100. Reviewed by J. GibertBMCR 2008.06.23.
  • Harrison, S. (2001) ‘Some generic problems in Horace’s Epodes: or, on (not) being Archilochus’, in Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire, ed. A. Cavarzere et al. Lanham, Md. and Oxford: 165–86.
  • Hawkins, J. N. (2016). Anger, Bile, and the Poet’s Body in the Archilochean Tradition. Iambus and Elegy: New Approaches: 310-321.
  • Hawkins, T. (2009) 'This is the Death of the Earth: Crisis Narratives in Archilochus and Mnesiepes', Transactions of the American Philological Association 139.1: 1-20.
  • Irwin, E. (1998) ‘Biography, fiction and the Archilochean ainos’, JHS 118: 177–83.
  • Létoublon, F. (2008) 'Archiloque et l'"encyclopédie" homérique', Pallas 77: 51-62.
  • Marcaccini, C. (2001) Construire un’identità, scrivere la storia: Archiloco, Paro e la colonizzazione di Taso. Florence.
  • Massimiliano O. (ed.) (2009), La lira, la vacca e le donne insolenti: contesti di ricezione e promozione della figura e della poesia di Archiloco dall'arcaismo all'ellenismo. Minima philologica 5. Alessandria. Reviewed by Rougier-Blanc, Sylvie (2010) BMCR 2010.10.61.
  • Mayer, P. (2006) 'Krieg aus Versehen? - Zur Funktion und Aussage der Telephos-Geschichte im neuen Archilochos (P. Oxy. 4708, fr. 1)', ZPE 157: 15-18.
  • Mayer, P. (2006) 'Der Mann, das Mädchen und der Dichter - Zur Frage der Absicht dreier Personen: eine Verführungsgeschichte (Archil. 196a W2)', Acta Classica Universitatis Scientiarum Debreceniensis (Debrecen) 42: 5-20.
  • Medaglia, S.M. (1982) Note di esegesi archilochea. Roma. Review by S.R. Slings, (1988) Mnemosyne 41: 134-135.
  • Miralles, C. and Pòrtulas, J. (1983) Archilochus and the iambic poetry. Roma. Review by S.R. Slings (1987) Mnemosyne 40: 430-432.
  • Nesselrath, H.G. (2007) 'Lucian and Archilochus, or: How to Make Use of the Ancient Iambographers in the Context of the Second Sophistic' in Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 132-43. Reviewed by J. Gibert BMCR 2008.06.23.
  • Nicolosi, A. (trans. and comm.) (2007) Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708). Eikasmos, 14. Bologna: Pàtron Editore. Reviewed by R.M. Rosen BMCR 2009.04.09.
  • Nobili, C. (2009) 'Tra epos ed elegia: il nuovo Archiloco', Maia 61.2: 229-249.
  • Obbink, D. (2005) ‘4708, Archilochus, Elegies’, Oxyrhynchus Papyri 69: 18–42.
  • Obbink, D. (2006) ‘A New Archilochus poem’, ZPE 156: 1–4.
  • Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in Oinēra teuchē: studi triestini di poesia conviviale, ed. K. Fabian et al. Alessandria: 57–71.
  • Riu, X. (2012) 'On the Reception of Archilochus and of invective in antiquity', in Approaches to Greek Poetry eds. X. Riu & J. Pòrtulas. Messina: 249-282.
  • Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in Brill's Companion to Hellenistic Epigram eds. P. Bing & J. Steffen Bruss. Leiden: 459–476. Reviewed by M.A. Tueller BMCR 2008.06.19
  • Rotstein, A. (2007) ‘Critias’ invective against Archilochus’, Classical Philology 102: 139-54.
  • Rotstein, A. (2008) “‘I do not care about iamboi” (Archil. Fr. 215W)’, in Archilochos and His Age. Proceedings of the Second International Conference on the Archaeology of Paros and the Cyclades, eds. D. Katsonopoulou, I. Petropoulos and S. Katsarou. Athens: 65-80.
  • Rotstein, A. (2010) The Idea of Iambos. Oxford: 151-166, 230-234, 256-259, 281-318.
  • Slings, S.R. (1975) 'Three notes on the new Archilochus papyrus', Zeitschrift für Papyrologie und Epigraphik 18: 170.
  • Slings, S.R. (1976) 'Archilochus, the hasty mind and the hasty bitch', Zeitschrift für Papyrologie und Epigraphik 21: 283-288.
  • Slings, S.R. (1980) 'Archilochus, eerste Keulse epode', Lampas 13: 315-335. (in Dutch)
  • Slings, S.R. (1982) 'Archilochus and the ant', Zeitschrift für Papyrologie und Epigraphik 45: 69-70.
  • Slings, S.R. (1980-82) 'Archilochus, S 478 (a), 3 Page', Museum Criticum 15-17: 11-14.
  • Slings, S.R. (1983) 'Once more Archilochus and the ant', Zeitschrift für Papyrologie und Epigraphik 53: 31-36.
  • Slings, S.R. (1986) 'Archilochus: new fragments from the Sosthenes inscription', Zeitschrift für Papyrologie und Epigraphik 63: 1-3.
  • Slings, S.R. (1988) 'Archilochus, fr. 188,3', Zeitschrift für Papyrologie und Epigraphik 72: 21.
  • Slings, S.R. (1989) 'Anonymus, Parallel lines from Homer and Archilochus', Zeitschrift für Papyrologie und Epigraphik 79: 1-8.
  • Slings, S.R. (1990) 'Archilochus van Paros, soldaat en dichter', Hermeneus 62: 281-289. (in Dutch)
  • Slings, S.R. (1992) 'For the third time: Archilochus and the ant', Eikasmos 3: 13-17.
  • Slings, S.R. (1995) 'Archilochus, fr. 188, 1-2', Zeitschrift für Papyrologie und Epigraphik 106: 1-2.
  • Steinrück, M. (1991) Leise Laute, Arbeiten über das Verhältnis von Rhythmus und Lautresponsion bei Archilochos. Lausanne Basel.
  • Steinrück, M. (2008) 'Les publics d'Archiloque', Pallas 77: 41-50.
  • Suárez de la Torre, E. (1977) 'Un reciente problema para la Filología Clásica: el nuevo fragmento atribuido a Arquíloco' (en colaboración con A. Melero), CFC 13: 167-199.
  • Suárez de la Torre, E. (2000) 'Archilochus ‘Biography’, Dionysos, and Mythical Patterns' in Poesia e religione in Grecia. Studi in Onore di G. Aurelio Privitera. Volume II, eds. M. Cannata Fera and S. Grandolini. Napoli: 639-658.
  • Swift, L. (2016) ‘Poetics and Precedents in Archilochus’ Erotic Imagery’, in Iambus and Elegy: New Approaches, eds. C. Carey and L. Swift. Oxford:. 253–270.
  • Swift, L. (2015) ‘Negotiating Seduction: Archilochus’ Cologne Epode and the Transformation of Epic, Philologus 159(1): 2-28
  • Swift, L. (2014) ‘Telephus on Paros: Genealogy and Myth in the “New Archilochus” Poem (P. Oxy. 4708), CQ 64(2): 433-47.
  • Swift, L. (2014) ‘The Animal Fable and Greek Iambus: Ainoi and Half-Ainoi in Archilochus, in Gêneros poéticos na Grécia antiga: Confluências e fronteiras, eds. C. Werner and B. Sebastini. São Paulo: 49-77.
  • Swift, L. (2012) ‘Archilochus the “Anti-Hero” Heroism, Flight and Values in Homer and the New Archilochus Fragment (P. Oxy. LXIX 4708), JHS 132: 139-55.
  • West, M.L. (2006) ‘Archilochus and Telephos’, ZPE 156: 11–17.

Semonides

  • Carson, A. (1999) Economy of the Unlost: Reading Simonides of Keos with Paul Celan. Princeton, N.J.
  • Hubbard, Th.K. (1994) 'Elemental Psychology and the Date of Semonides of Amorgos', AJPh 115: 175-197.
  • Hubbard, Th.K. (1996) ' 'New Simonides' or old Semonides? Second Thoughts on POxy 3965, fr. 26, Arethusa 29: 255-262 (= in (2001) The New Simonides: Contexts of Praise and Desire, eds. D. Boedeker and D. Sider. New York and Oxford: 226-231).
  • Osborne, R. (2001) ‘The use of abuse: Semonides 7’, PCPhS 47: 47–64.
  • Steinrück, M. (1994) Regards sur la femme: analyse rythmique et interprétation de Sémonide frg. 7 Tedeschi-Pellizer. Roma.
  • Steinrück, M. (1994) 'Echos phoniques et débuts de mots dans le iambe de Sémonide d'Amorgos', Revue informatique et statistique dans les sciences humaines 30: 139-153.
  • Van Wees, H. (2005) 'The invention of the female mind. Women, property and gender ideology in archaic Greece', in Women and Property in the Ancient Near East and Greece, eds. D. Lyons and R. Westbrook. Published on website of Center for Hellenic Studies, Washington DC. pp. 26. URL. Includes discussion of Fr 7.

Hipponax

  • Alexandrou, M. (2016). 'A commentary on the fragments of the iambic poet Hipponax' (Doctoral dissertation, UCL (University College London)).
  • Carey, C. (2003) ‘Ipponatte e la tradizione giambica’ in Studi di filologia e tradizione greca in memoria di A. Colonna, eds. F. Benedetti and S. Grandolini. Perugia: 213-228.
  • Carey, C. (2008) ‘Hipponax narrator’, AAHung 48: 89-102.
  • Cazzato, V. (2015) ‘Hipponax’ poetic initiation and Herodas’ “Dream”’, The Cambridge Classical Journal 61: 1-14.
  • Dale, A. (2013). 'HIPPONAX FR. 42 IEG2' Zeitschrift für Papyrologie und Epigraphik 187: 49-51.
  • Degani, E. (1995) ‘Ipponatte e i poeti filologi’, in Atti del Congresso ‘Poeti e Filologi, Filologi-Poeti’. Composizione e studio della poesia epica e lirica nel mondo greco e romano, Brescia, Università Cattolica, 26–27 aprile 1995, ed. A. Porro and G. Milanese, Aevum(ant) 8: 105–36.
  • Faraone, C.A. (2004) 'Hipponax Frag. 128W: Epic Parody or Expulsive Incantation?', Classical Antiquity 23: 209-45.
  • Fowler, R.L. (1990) ‘Two more new verses of Hipponax (and a spurium of Philoxenus)?’, ICS 15: 1–22.
  • Hawkins, S. (2013). Studies in the Language of Hipponax. Bremen.
  • Hawkins, T. (2016). 'Bupalus in Scheria: Hipponax’s Odyssean Transcontextualizations' in Iambus and Elegy: New Approaches, C. Carey and L. Swift (eds) Oxford: 229-52.
  • Miralles, C. and J. Pòrtulas (1988) The Poetry of Hipponax. Rome.
  • Neri, C. (1995) 'L'empietà del naso (Hippon. fr.129a,1 Dg.)', Eikasmós 6: 11-14.
  • Nicolosi, A. (ed.) (2007) Ipponate, epodi di Strasburgo - Archiloco, epodi di Colonia (con un'appendice su P. Oxy. LXIX 4708). Bologna. Edition, translation and commentary Reviewed by R.M. Rosen BMCR 2009.04.09.
  • Rosen, R.M. (1990) ‘Hipponax and the Homeric Odysseus’, Eikasmos 1: 11–25.
  • Rosen, R.M. (2007) 'The Hellenistic Epigrams on Archilochus and Hipponax' in Brill's Companion to Hellenistic Epigram eds. P. Bing & J. Steffen Bruss. Leiden.
  • Rosen, R.M. (2007) Making Mockery. The Poetics of Ancient Satire. Classical Culture and Society. Oxford. Chapter 5 focuses on Hipponax and Callimachus.
  • Suárez de la Torre, E. (1987) 'Hiponacte cómico', Emerita 55: 113-139.
  • Watkins, C. (2007) 'Hipponactea quaedam' in Hesperos. Studies in Ancient Greek Poetry presented to M.L. West on his Seventieth Birthday, eds. P.J. Finglass, C. Collard and N.J. Richardson. Oxford: 118-25. Reviewed by J. Gibert BMCR 2008.06.23.

Ananius

  • Carey C.(2016). 'Mapping iambos: Mining the minor talents', in Iambus and Elegy: New Approaches, C. Carey and L. Swift (eds), Oxford: 122-39.

Adespota Iambica

Elegy General

  • Adkins, A.W.H. (1985) Poetic Craft in the Early Greek Elegists. Chicago-London.
  • Aloni, A. and Iannucci, A. (2007) L'elegia greca e l'epigramma: dalle origini al V secolo. Con un'appendice sulla 'nuova' elegia di Archiloco. Firenze: Le Monnier Università.
  • Barnes, H.R. (1995) ‘The structure of the elegiac hexameter: a comparison of the structure of elegiac and stichic hexameter verse’, in Struttura e storia dell’esametro omerico, ed. M. Fantuzzi and R. Pretagostini, vol. I. Rome: 135–61.
  • Bowie, E.L. (1990) ‘Miles ludens? The problem of martial exhortation in early Greek elegy’, in Sympotica: A Symposium on the Symposion. ed. O. Murray. Oxford: 221-229.
  • Budelmann, F. and T. Power (2013). 'The inbetweenness of sympotic elegy.' JHS 133: 1-19.
  • Faraone, C.A. (2005) 'Exhortation and Meditation: Alternating Stanzas as a Structural Device in Early Greek Elegy', CPh 100: 317-36. [Tyrtaeus 10, 11; Callinus 1; Xenophanes 1]
  • Faraone, C.A. (2005) 'Catalogues, Priamels and Stanzaic Structure in Early Greek Elegy', TAPhA 135: 249-65. [Simonides 16; Tyrtaeus 12; Theognidea 699-718; Solon 13, 27]
  • Faraone, C.A. (2008) The Stanzaic Architecture of Early Greek Elegy. Oxford. Reviewed by Eckerman, Chris (2008) BMCR 2008.08.30.
  • Gerber, D.E. (1997) ‘Elegy’, in A Companion to the Greek Lyric Poets, ed. D.E. Gerber. Leiden: 89–132.
  • Giordano-Zecharya, M. (2003) ‘Tabellae auris: musica e memoria nella trasmissione della lirica monodica’, in ΡΥΣΜΟΣ: Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant’anni, ed. R. Nicolai. Rome: 73–92.
  • Lulli, L. (2007) "‘Anomalie’ linguistiche e performances poetiche. Osservazioni sui tratti linguistici epicorici nell’epica greca postomerica e nell’elegia arcaica di argomento storico-narrativo", SemRom 10.2: pp. 35–62.
  • Lulli, L. (2009) 'Appunti per una storia grafico-editoriale del genere letterario dell’elegia in età ellenistico-romana', Scripta. International Journal of Palaeography and Codicology 2: 135–157.
  • Lulli, L. (2011) Narrare in Distichi: L'elegia greca arcaica e classica di argomento storico-mitico. Rome.
  • Lulli, L. (2015) "Epica ed elegia. Incontri di due generi letterari nei luoghi della performance", in L. Bettarini (ed.), A più mani. Linee di ricerca tracciate in 'Sapienza', Roma-Pisa: 89–102.
  • Lulli, L. (2016) "Elegy and Epic: A Complex Relationship", in L. Swift, C. Carey (eds.), Iambus and Elegy. New Approaches, Oxford-New York: 193-209.
  • Nobili, C. (2006) 'Omero e l'elegia trenodica', Acme 59.3: 3-24. It investigates the problem of threnodic elegy and presents the possibility to trace motifs typical of threnodic elegy in Homeric poems.
  • Nobili, C. (2011) 'Threnodic elegy in Sparta', Greek, Roman, Byzantine Studies 51.1: 26-48.
  • Nobili, C. (2016) 'Choral elegy', in C. Carey – L. Swift (eds.), Iambus and Elegy. New Approaches, Oxford: 33-55.
  • Raalte, M. van (1988) 'Greek Elegiac Verse Rhythm', Glotta 66: 145-78.
  • Scott Garner, R. (2011) Traditional Elegy. The Interplay of Meter, Tradition, and Context in Early Greek Poetry. Oxford.
  • Slings, S.R. (2000) 'Symposion and Interpretation: Elegy as group-song and the so-called awakening individual', Acta Antiqua Hungariensia 40: 423-434.
  • Suárez de la Torre, E. (2012) Elegíacos Griegos. Madrid. Spanish translation with introduction.
  • Tsagalis, Christos C. (2008) Inscribing Sorrow: Fourth-century Attic Funerary Epigrams. Trends in Classics - Supplementary Volumes 1. Berlin and New York. Reviewed by Garulli, Valentina (2008) BMCR 2008.09.18.
  • Zanetto, G. (2004) ‘Omero e l’elegia arcaica’, in Momenti della ricezione omerica: Poesia arcaica e teatro, ed. G. Zanetto et al. (Quaderni di Acme 67). Milan: 37–50.

Callinus

  • Christenson, D. (2000). 'Callinus and Militia Amoris in Achilles Tatius' 'Leucippe and Cleitophon The Classical Quarterly 50(2): 631-632.

Tyrtaeus

  • Année, M. (2007) 'La mémoire oubliée: perspectives poétiques de l'élégie chez Tyrtée', Camenulae 1.
  • Année, M. (2010) 'Pouvoir du λόγος e λόγος d'un pouvoir chez Tyrtée' in Linguaggi del potere, poteri del linguaggio, eds. E. Bona and M. Curnis. Alessandria: 79-85.
  • Belloni, L. (2003) 'Il re suadente: (Tyrt. 9 G.-P., 1-9)' in Studi di filologia e tradizione greca in memoria di Aristide Colonna, eds. F. Benedetti and S. Grandolini. Napoli: 63-75.
  • Faraone, C.A. (2006) 'Stanzaic Structure and Responsion in the Elegiac Poetry of Tyrtaeus', Mnemosyne 59: 19-52.
  • Föllinger, S. (2005) 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen, eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  • Gerber, D.E. (2003) 'Λοξός with reference to the eyes and neck in Greek poetry' in Studi di filologia e tradizione greca in memoria di Aristide Colonna, eds. F. Benedetti and S. Grandolini. Napoli: 355-8.
  • Hölscher, U. (1986) 'Tyrtaios über die Eunomie' in Studien zur alten Geschichte. Siegfried Lauffer zum 70. Geburtstag, ed. H. Kalcyk, B. Gullath and A. Graeber Roma: 413-20.
  • Link, S. (2003) 'Eunomie im Schoss der Rhetra? Zum Verhältnis von Tyrt. frgm. 14 W und Plut. Lyk. 6, 2 und 8', GFA 6: 141-150. PDF
  • Luginbill, R.D. (2002) ‘Tyrtaeus 12West: come join the Spartan army’, CQ 52: 405–14.
  • Meier, M. (1998) Aristokraten und Damoden: Untersuchungen zur inneren Entwicklung Spartas im 7. Jahrhundert v. Chr. und zur politischen Funktion der Dichtung des Tyrtaios. Stuttgart. Reviewed by H. van Wees BMCR 1999.10.15
  • Meier, M. (2002), 'Tyrtaios fr. 1B G/P bzw. fr. °14 G/P (= fr. 4 W) und die Grosse Rhetra : kein Zusammenhang?', GFA 5: 65-87. PDF
  • Meier, M. (2003), 'Tyrtaios: die Entstehung eines Bildes', Antike und Abendland 49: 157-182.
  • Munding, H. (1993), 'Tyrtaios 9 Diehl (= 12 West) auf dem Hintergrund des Hesiodischen Areté-Passus (E. 286-292)' in Antike Texte in Forschung und Schule: Festschrift für Willibald Heilmann zum 65. Geburtstag, ed. C. Neumeister. Frankfurt: 29-37.
  • Nafissi, M. (2010), 'The Great Rhetra (Plut. Lyc. 6): a retrospective and intentional construct?' in: Intentional History. Spinning Time in Ancient Greece. eds. L. Foxhall, H.-J. Gehrke, N. Luraghi. Stuttgart: 89-119.
  • Noussia, M. (2010) “Lo stile 'semplice' di Tirteo?”, in P. Chiron and C. Lévy (eds), Les Noms du Style dans l'Antiquité gréco-latine, Deuxième et Troisième Journées d' Étude, Paris IV (12 mais 2005), Paris XII (13 Mai 2005). Leuven: 11-24.
  • Pucci, P. (2006) 'Il testo di Tirteo nel tessuto omerico' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: 21-41. Reviewed by V. Jennings BMCR 2008.07.04.
  • Quattrocelli, L. (2006) ‘Tirteo: poesia e ἀνδρεία a Sparta arcaica’, in I luoghi e la poesia nella Grecia antica, eds. M. Vetta and C. Catenacci. Alessandria: 133-144.
  • Quattrocelli, L. (2009) ‘Tirteo e la retorica dell’élite’, Annali dell’Istituto Orientale di Napoli: 7-23.
  • Schwinge, E.R. (1997), 'Tyrtaios über seine Dichtung (Fr. 9 G.-P. = 12 W.)', Hermes 125: 387-395.
  • Van Wees, Hans (1999) ‘Tyrtaeus’ Eunomia: nothing to do with the Great Rhetra’, in Sparta: New Perspectives, eds. S. Hodkinson and A. Powell. London: 1-41.
  • Van Wees, Hans (2002) ‘Gute Ordnung ohne Große Rhetra: noch einmal zu Tyrtaios’ Eunomia’, Göttinger Forum für Altertumswissenschaft 5: 89-103. URLPDF
  • Van Wees, Hans (2003) 'Conquerors and serfs: wars of conquest and forced labour in archaic Greece', in Helots and their Masters in Laconia and Messenia: histories, ideologies, structures, eds. N. Luraghi and S. Alcock. Cambridge, MA: 33-80. Includes discussion of Tyrtaeus' fragments.

Mimnermus

  • Allen, A. (1993) The Fragments of Mimnermus: Text and Commentary. Stuttgart.
  • Föllinger, S. (2005), 'Geschlecht und Körperwahrnehmung in der frühgriechischen Dichtung' in Medizin, Geschichte und Geschlecht: körperhistorische Rekonstruktionen von Identitäten und Differenzen, eds. F. Stahnisch and F. Steger. Stuttgart: 27-39. [Homer, Tyrtaeus and Mimnermus].
  • Gerber, D.E. (2003) 'Mimnermus, Fragment 1.3 W.' in: Literature, Art, History: Studies on Classical Antiquity and Tradition. In Honour of W.J. Henderson, eds. A.F. Basson & W.J. Dominik. Frankfurt am Main: 193-195.
  • Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in Oinēra teuchē: studi triestini di poesia conviviale, ed. K. Fabian et al. Alessandria: 57–71.
  • Slings, S.R. (2000) Symposium: Speech and Ideology. Two hermeneutical issues in early Greek lyric, with special reference to Mimnermus. Amsterdam (KNAW), Mededelingen KNAW afd. Letterkunde, 63, 1. Concerns the performance of lyric poetry in the archaic period. Review by J.M. Bremer (2003) Mnemosyne 56: 614-15 and D.E. Gerber BMCR 2002.12.16.
  • Suárez de la Torre, E. (1985) 'El viaje nocturno del sol y la Nanno de Mimnermo', EClás 89: 5-20.

Solon

  • Almeida, J.A. (2003) Justice as an Aspect of the Polis Idea in Solon's Political Poems. A Reading of the Fragments in Light of the Researches of New Classical Archaeology. Leiden. Reviewed by A.J. Dominguez BMRC 2004.02.15
  • Anhalt, E.K. (1993) Solon the Singer. Lanham, MD.
  • Blaise, F. (1995) ‘Le fragment 36 W. de Solon: pratique et fondation des normes politiques’, Revue des Études Grecques 108: 24-37.
  • Blaise, F. (2005) ‘Poésie, politique, religion. Solon entre les dieux et les hommes (l’ “Eunomie” et l’ “Elégie aux Muses”, 4 et 13 West)’, Revue de Philosophie Ancienne 23: 3-40.
  • Blaise, F. (2006) ‘Poetics and politics. Tradition re-worked in Solon’s “Eunomia” (poem 4)’, in Solon of Athens: New Historical and Philological Approaches, eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 114-133.
  • Blaise, F. (2010) 'Le bonheur redéfini. Solon, 23 W.', in D. Thouard-Ch. König (éds.), La Philologie au présent. Pour Jean Bollack. Lille (Presses du Septentrion): 57-67.
  • Blaise, F. (2011) 'La mer juste : Solon, 12 W', Revue des Etudes Grecques 124: 535-547.
  • Blaise, F. (2012) 'Solon entre Zeus et loup: un usage provocant des représentations et des formes poétiques traditionnelles (poème 36 W)' in Approaches to Greek Poetry X. Riu & J. Pòrtulas. Messina: 99-119.
  • Blok, J.H. and Lardinois, A.P.M.H. (eds.) (2006) Solon of Athens: New Historical and Philological Approaches. Leiden. Reviewed by B.M. Lavelle BMCR 2007.04.26.
  • Carvalho, S. and Neto, F.J (2014) 'A crise social na Atenas de Sólon e o estabelecimento da justiça baseada no governo da lei', Humanitas66: 59-85.
  • Gagné, R. (2009) 'Spilling the Sea Out of its Cup: Solon's Elegy to the Muses,' Quaderni urbinati di cultura classica 133: 23-49.
  • Irwin, E. (2005) Solon and Early Greek Poetry: The Politics of Exhortation. Cambridge.
  • Lardinois, A.P.M.H. (2006) 'Have we Solon's verses?' in Solon of Athens: New Historical and Philological Approaches, eds. J.H. Blok & A.P.M.H. Lardinois. Leiden: 15-35. Dutch version (2006) Lampas 39: 91-109.
  • Lewis, J.D.(2006) Solon the Thinker: Political Thought in Archaic Athens. London. Reviewed by Z. Papakonstantinou BMCR 2007.05.28
  • Monedero, A.J.D. (2001) Solón de Atenas. Editorial Crítica. Barcelona. Reviewed by E. Katz Anhalt BMCR 2002.08.24
  • Mossé, C. (1996) ‘Due miti politici: Licurgo e Solone’, in I Greci: Storia cultura arte società, II, Una storia greca, 1, Formazione, ed. S. Settis. Turin: 1325–35.
  • Mülke, C. (2002) Solons Politische Elegien und Iamben (Fr. 1-13; 32-37 West). Einleitung, Übersetzung, Kommentar. Munich/Leipzig. Reviewed by E. Irwin BMRC 2005.05.26
  • Nagy, G. and M. Noussia-Fantuzzi eds. (2015). Solon in the Making: The Early Reception in the Fifth and Fourth Centuries. Trends in Classics 7.1. De Gruyter.
  • Noussia, M. (2001) Solone: Frammenti dell’opera poetica. Milan.
  • Noussia-Fantuzzi, M. (2010) Solon the Athenian: The Poetic Fragments, Brill Academic Publishers, Leiden, pp. xiv+579. Reviewed by D.E. Gerber BMCR 2011.05.05.
  • Suárez de la Torre, E. (2002) 'La renovación del léxico poético en Solón y los niveles de lengua' in Niveles de lengua y literatura, ed. A. López Eire. Salamanca.
  • Wees, H. van (1999) 'The mafia of early Greece. Violent exploitation in the seventh and sixth centuries BC' in Organized Crime in Antiquity, ed. Keith Hopwood. London: 1-51. Includes discussion of Solon's 'political' fragments.
  • Wees, H. van (2006) 'Mass and elite in Solon's Athens: the property classes revisited', in Solon of Athens: new historical and philological approaches, eds. J. Blok and A. Lardinois. Leiden: 351-89. Abbreviated version in Dutch: (2006) 'Massa en elite in Solon's Athene: de betekenis van de vermogensklassen', Lampas 39: 131-52. Includes discussion of Solon's 'political' fragments.

Theognis

  • Bagordo, A. (2000) 'Teognide 769-772 e il lessico metaletterario arcaico', SemRom 3: 183-203.
  • Bowie, E. (2012) 'An Early Chapter in the History of the Theognidea' in Approaches to Greek Poetry X. Riu & J. Pòrtulas. Messina: 121-148.
  • Colesanti, G. (2011) Questioni Teognidee. La genesi simposiale di un corpus di elegie. Roma. More information.
  • Condello, F. (2010) 'Proverbi in Teognide, Teognide in proverbio' in ΠΑΡΟΙΜΙΑΚΩΣ . Ιl proverbio in Grecia e a Roma (3 vols.) ed. E. Lelli. Pisa/Roma: 61-85.
  • Edmunds, L. (1997) ‘The seal of Theognis (vv. 19–30)’, in Poet, Public and Performance: Essays in Ancient Greek Literature and Literary History, ed. L. Edmunds and R. Wallace. Baltimore and London: 29–48.
  • Ford, A.L. (1985) 'The Seal of Theognis: The Politics of Authorship in Archaic Greece' in Theognis of Megara: Poetry and the Polis, eds. T.J. Figueira and G. Nagy. Baltimore: 82-95.
  • Kurke, L. (1989) 'Kapêleia and Deceit: Theognis 59–60', American Journal of Philology 110: 535–44.
  • Lane Fox, R. (2000) ‘Theognis: an alternative to democracy’, in Alternatives to Athens: Varieties of Political Organization and Community in Ancient Greece, ed. R. Brock and S. Hodkinson. Oxford: 35–51.
  • Lauriola, R. (1999) 'Theog. 207-210: un caso di prolessi narrativa', Athenaeum 87.1: 15-26.
  • Martin, R.P. (2001) ‘Just Like a Woman: Enigmas of the Lyric Voice’, in Making Silence Speak: Women’s Voices in Greek Literature and Society, eds. A. Lardinois and L. McClure. Princeton, N.J.: 55-74.
  • Palutan, M.G. (1995) ‘Osservazioni sui carmi eolici di Teocrito (28, 29 e 30)’, AION (filol) 17: 89–107.
  • Pòrtulas, J. (2006) 'Crizia di Atene e la leggenda archilochea' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 175-91. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Puppini, P. (1991) ‘Espressioni mimiche a simposio’, in Oinēra teuchē: studi triestini di poesia conviviale, ed. K. Fabian et al. Alessandria: 57–71.
  • Rösler, W. (2006) 'La raccolta di Teognide: «il più antico libro dimostrabilmente edito dall'autore stesso». Considerazioni su una tesi di Richard Reitzenstein' in L'autore e l'opera: attribuzioni, appropriazioni, apocrifi nella Grecia antica. Atti del convegno internazionale (Pavia, 27-28 maggio 2005). Memorie e atti di convegni 34, ed. Fabio Roscalla. Pisa: Edizioni ETS: 55-67. Reviewed by Jennings, Victoria (2008) BMCR 2008.07.04.
  • Selle, H. (2008) Theognis und die Theognidea. Berlin & New York.
  • Stein-Hölkeskamp, E. (1996) 'Adel und Volk bei Theognis' in Volk und Verfassung im vorhellenistischen Griechenland, Beiträge auf dem Symposium zu Ehren von Karl-Wilhelm Welwei in Bochum, 1.-2. März 1996. eds. Walter Eder, Karl-Joachim Hölkeskamp. Stuttgart: 21-35.
  • Vetta, M. (2000) ‘Teognide e anonimi nella Silloge teognidea’, in La letteratura pseudepigrafa nella cultura greca e romana: Atti di un incontro di studi, Napoli, 15–17 gennaio 1998, AION(filol) 22: 123–41.
  • Wees, H. van (2000) ‘Megara’s mafiosi. Timocracy and violence in Theognis’, in Alternatives to Athens. Varieties of political organization and community in ancient Greece, eds. R. Brock and S. Hodkinson. Oxford University Press: 52-67. Abbreviated version in Dutch: (2003) ‘Maffiosi in Megara: timocratie en geweld in Theognis’, Lampas 36: 284-99.
  • Yossi, M.J. (Μ. Ι. Γιόση) (2009) 'δεῦρο σὺν αὐλητῆρι. Συμποτική ποιητική στο Θεογνίδειο corpus' ['Deuro syn auleteri: Sympotic poetics in the Theognidean corpus'], in:

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